All of this packed into thundering drums and catchy hook-lines combined with intense lyrics.Īs you said, the times are very frustrating and hard for musicians in this pandemic, but we decided not to be discouraged but to move on. The sound is a bit more modern, more heavy and evil and sometimes a hint of djent. We would describe the songs as a natural evolution from Chapter I. For the orchestrations we worked together with Elias Holmlid and mixing and mastering was done by Jacob Hansen. We had a clear vision how we wanted the songs to be and sound like and we just did it. How would you describe it? It came out quite quickly after the first one, so maybe you already had a lot of material since the beginning and this is a good sign of inspiration.įor our second album we decided to listen to our guts and take the risk to produce it ourselves.

Tell us a bit about your second album, Legacy. We even decided to use the forced staying at home time because of the pandemic and quickly produced Chapter I Revisited. And although it was hard work and many late hours we are very proud of what we achieved with our debut album. The production of it was contrary to the pandemic a delight. The pandemic hit us and our plans for the promotion of Chapter I hard. The timing for our first album couldn’t have been any worse. Being the first “work”, how has it been to produce it with people that just started to be your band and especially in that situation? Your very first album has been conceived during the 2020 lockdown, quite a bad period for everybody in this world. But we are already planning the next year 2022 will be a phenomenal year filled with exciting tours, festival and news. Unfortunately, the last show in this year got cancelled because of the high numbers of covid here in Germany. Hello Sabrina, I’m Korbinian, the bass plater thanks for having us at ! Currently we are doing interviews, for the release of the Chapter II. Hello Korbinian, how are you? I’m Sabrina from and I’m glad to be able to send you this interview for our webzine. Here’s what Korbinian, their bass player, told us. The band at first sight has a fairly commercial proposal, but if we go deeper we will discover that the ideas are there and the style is not exactly obvious. 'What a queasy-making book to have in your hands,' Garner writes.Ad Infinitum, a relatively “new” band, is the last pleasant interview with Verorock and like any self-respecting interview, we like to zap over the material produced, especially videos (live and studio) which can be interesting to understand the soul of the group.

It's not clear who the intended audience is supposed to be, Garner writes, because Trump's base never liked him and Kushner's career in politics was entirely dependent on his marriage to the president's daughter Ivanka Trump. Reading this book reminded me of watching a cat lick a dog's eye goo.' 'Kushner's fealty to Trump remains absolute.

'This book is like a tour of a once majestic 18th-century wooden house, now burned to its foundations, that focuses solely on, and rejoices in, what's left amid the ashes: the two singed bathtubs, the gravel driveway and the mailbox,' Garner writes. Garner compares the tone to a college admissions essay, speckled with 'every drop of praise he's ever received,' larded with clichés and glossed with selective biographical background, and he said the overall effect was off-putting and slightly disgusting. 'Kushner almost entirely ignores the chaos, the alienation of allies, the breaking of laws and norms, the flirtations with dictators, the comprehensive loss of America's moral leadership, and so on, ad infinitum, to speak about his boyish tinkering. 'Kushner looks like a mannequin, and he writes like one,' Garner writes. Jared Kushner's new memoir was met with a scathing review from the New York Times, which panned the former White House adviser's book as 'soulless' and lacking in self-awareness.ĭonald Trump's son-in-law and former adviser describes his four years in the White House, but Times book critic Dwight Garner lambastes the memoir as dull, superficial and self-serving in a strongly negative review of Breaking History, published last week by HarperCollins. This article originally appeared on Raw Story

Ad infinitum tour